F
Sarangang and its associated Ragas
I apologise for being late in update the blog ... i was not well to focus mind to write new things because of few emergency. and busy office schedule.
I appreciate your patience and thank you all for support . now i will update regularly
Ragaang Bhairav and associated Raga
Bhairav is one of the oldest Raga and supposed to be first 6 raga created in the history of Indian Classical Music. It is a morning raga having the deep nuances of peace and arise of energy through the notes. The appearance of the Raga Bhairav is sober and sedate that reflect the power of seriousness and stable setups.
As we have talked what is Raga and Ragang so i supposed you have read by earlier posts to understand the terminology
There is huge differnece between the Raga Bhairav and Bhairavang Ragas so lets come to the point thta clarify the difference
Raga: Bhairav:
Aroh: Sa re Ga ma Pa dha Ni Sa
Avaroh: Sa Ni dha Pa ma Ga re Sa
By writing this much only we cannot say this one is actual Bhairav Raga because there are few more Raga whose ascent and descent are very much similar to Raga Bhairav i.e. Gauri, Kalingada, Ramkali, Jogiya etc.
In process
listen me on
Classification and concept of 10 thaat in Hindustani Music #indianclassicalmusicvocal #music
Todiang: Unique prespective of Hindustani Music
Todi is one of the major raga and associated ragang of hindustani music, Todi always resemble the softness and the symbol of separation-"Viyogant" can describe someone experiencing longing or sorrow due to separation from a loved one. Among the Todi Raga the prominent part" Todiaang" is the most crucial phrase that reflect and refract the Ragaang Todi is all adjoining raga of Todiaang.
Here the Todi is : Sa re ga, re ga re Sa, in Purbang and Ma da Ni da, Sa. Ni da Ni re. Ni da, Ma ga re ga re Sa
Note : Komal swar/ Flat notes are written in small letter and Suddh/ natural notes are in Capital. Madhyan is Tivra sso sharp madhyan is written as "Ma". Higher octave notes are written followed by "dot" after the note.
More or less the combination of these notes with any other "aang" in any of the Raga resemble the "Todiaang". There are many Ragas classified under the Todi Thaat but Todi Thaat is not the Todiaang. Raga Multani is not the Todiaang Raga but fall under the Todi thaat. we never use Pa Ma ga re ga re Sa in Multani. The phrase of Todiaang is called Todi Raganga and used in various note combination to create a new Raga. Like Gujari Todi, Pancham note is completely abandon and follow the similar sequence of Todi. Bhupal Todi, Bilashkhani Todi, Badhuri Todi, Hussaini Todi Parameshwari, Anjani Todi, Lachari Todi, Malgunji, Ahari Todi, Bairagi Todi are few examples. these raga are create with mixing the todi in nay other Raganag .
More Practical related knowledge and lectures you can catch me on https://youtube.com/shorts/IfD11CDeYJY?si=rTFLQ_CEyKTG6AGL
Posts
